GOODSOUND!GoodSound! "Ask Me" Archives

...to July 31, 2001

 

July 31, 2001

I am relatively new to high-performance audio, and I am really mad that I did not know of this great site before I purchased my equipment. My current setup consists of PSB Alpha speakers, PSB speaker stands, AMC 3025a integrated amp and Philips DVD 825 player (already owned that) as CD source. As you have probably guessed by now, I am on a fairly tight budget here. What do you recommend as the best value in cabling for this system?

Jag

You've done just fine without our advice so far -- no reason to be mad. The AMC in particular is an excellent choice that not a lot of folks know about. For cables, I'm currently listening to the Onix speaker cable that's sold direct via www.av123.com -- excellent product and very fairly priced. For interconnects, my budget favorite thus far is the TARA Labs Prism line. We're planning to look at entry-level cables in the near future. I'd like to come up with a handful of solid recommendations that our readers could use as a shopping list to see what's available in their local markets.


July 30, 2001

This site is great! If only I knew of it when I first purchased my components.

I have a Yamaha stereo receiver and CD changer. I want to replace my Bose 201s, which sounded good to me when I bought them, but not anymore after listening to Phase Technology Teatros and Cambridge SoundWorks bookshelf speakers (I can't recall the model number). I am looking to spend around $300. I read your review of Axiom M3Ti (which I haven't heard), and I was wondering how it compared to Phase Technology's Teatro 4.5, which I thought were fantastic.

Santosh

Other GoodSound! readers have mentioned the Phase Technology Teatro and were equally excited. Based on their feedback, I've put in a request for a review pair, but I haven't heard back yet from the company. I will try again. Until I hear a pair, I can't comment on how they compare to the Axioms. I strongly suggest then that you follow your personal response to the Teatros -- "fantastic" is exactly how one should feel about a prospective purchase. Go for it!


July 29, 2001

I'm entering college this fall, and I'm currently trying to assemble a stereo system (on a pretty small budget) to bring with me. CD player: Going on your advice that you don't need to spend to much on the source end of the "chain," I purchased a Yamaha CDC-665. Amplifier: I purchased an NAD C340 (100Wpc). Speakers: Here's decision number one. Initially, I was basically set on buying a pair of B&W DM601 S2s. Then I read your review of the Axiom Millennia M3Tis, and I began considering them as well. Which is better? Are there other similar possibilities? Cabling: a while ago, I told myself that I didn't want to spend more than $500 on speakers and cables. The B&Ws cost $450, so I don't think I'm going to be able to stay in budget, but what I'm looking for is the best bang for the buck here. Any recommendations?

Andy Rossmeissl

Great choices so far. While I can't make generalized statements about speakers (there are just too many speakers out there that I haven't heard yet), I will say that the $275 Axioms we reviewed are so good that I doubt you'd find anything better for anywhere near the price -- as good perhaps, and different most certainly, but very doubtfully better. Because of that, I recommend them very strongly. For cables, look into the Audio Magic XStream speaker cable ($3.50 per meter) and matching interconnects ($69 per meter pair). This will be a sane cable in line with your components, and it sounds great.


July 27, 2001

I'm in the process of building a new home-theater/music system using the "king of budget" approach and have been auditioning a couple of speaker systems when I ran across this wonderful site. Having spent the past hour reading the e-mail archives and product reviews, I wanted to get your opinion on some of these and a couple of recommendations. I already have a 65" TV and a Toshiba SD6200 DVD player, so I'm set there.

I've listened to the JMlab Chorus 710 and 715 speakers, liking the 715s a bit more. I've also listened to the Aegis 3s by Acoustic Energy and the PSB Image speakers as well. I seem to be leaning towards the JMlab as I tend to like the bright sound they have. I do like the center channel by JMlab. I auditioned the HSU VTF-2 sub before I read your review, and that looks like a good sub for me.

Now for a receiver. I was looking at the Marantz SR7000 and the NAD T751 before I read about the Outlaw 1050. My listening/viewing area is 13' wide by 17' long; however the overall room is 16' x 28'.

Any suggestions regarding this setup or suggestions for looking at other equipment?

Dwight

A JMlab/Hsu/Outlaw system very much looks like a "budget king" rig, I agree, but with heavy emphasis on "king." Your listening-room dimensions mimic my own precisely, so I'm comfortable saying that the Outlaw receiver is sufficiently powerful to drive the JMlab Chorus speakers louder than would be good for you. The Outlaw 1050 review is pending.

I don't know whether your physical setup will allow for it, but creating a little distance between your front speakers and the 65" TV is a good idea. Even having the speaker baffles protrude from the screen by one foot would already improve imaging. If you can separate them from the TV sides by about two feet, you be even better off.

Aside from that, it appears you're well set to enjoying an excellent system for a reasonable outlay of funds.


July 26, 2001

I have recently upgraded my eight-year-old stereo system. The original system contained the Harman/Kardon 3400 (35Wpc) stereo receiver and the Mirage M-790 bipolar towers. The system's sound was very detailed, warm and musical, but because the speakers are rated at 50W minimum, the bass was weak.

So I bought the new H/K 3470 receiver (100Wpc) and guess what? There is a lot of bass now, but the sound is harsh and flat. There is no warmth, no musicality. For solo instruments, it is not bad, but when there are many instruments together, you cannot distinguish them. There is also a lot of power, but I cannot use it because the sound really hurts the ear.

Can you please help me find some answers? Where is my problem? Logically it has to be my new receiver. Is this the new Harman/Kardon "sound," or there is a problem with this specific receiver I bought? Which stereo receiver in this price range ($500) would you recommend if I decide to replace the H/K?

Dan

I haven't looked into H/K's new range to feel certain what your problem might be. There is such a phenomenon as break-in -- certain components take up to 200 hours of playing time to "settle down." During this time, the sound can go through various changes. To eliminate this possibility, don't turn the receiver off. Set a CD on endless repeat and let the system run 24/7 for a few weeks, with the volume barely audible when you don't want to listen. If this doesn't change the sound, see whether you can get a replacement to try. If you're still unhappy, look into an Onkyo stereo receiver for that warmer sound you're used to.


July 25, 2001

First things first: congratulations on this new website! I am sure it's the start of something great knowing you're the driver behind the wheel. Your expertise, enthusiasm, attitude and direction are all on target with folks like myself who like high-quality music but unfortunately have to do without the privilege of the big, fat wallet. I've been a great fan of yours with your SoundStage! columns and was lucky enough to have your insightful response previously.

Regarding an amplifier order I've placed recently for the Odyssey Stratos (back ordered for another 2-3 weeks), I would like to know if performance is directly dependent on the transformer size. This particular unit has only a 400VA transformer powering a stereo speaker pair. However, it does offer the upgraded cap option of 120,000uF (60,000 per channel), which I've elected to have at an added cost of $125 over the stock model at $995. Here's my question: Does the capacitor upgrade overcome any dynamic/control shortcoming from having a single smallish transformer that's only 400VA? Is it an overkill to have caps of this high value knowing the amp's power will be generated by a small transformer? I plan to use the amp proportionately for both music and home-theater duty with maximum impact. Also, I'd like your opinion on the Stratos amplifier if you have prior experience with it. If you do not think the above is a good idea, I'll have to consider another alternative -- perhaps a Bryston 4B ST.

Royce

I've listened to the Stratos before it was forwarded to the SoundStage! reviewer who wrote about it and named the amp a Reviewers' Choice. I fully concur with the writer's findings -- this is an excellent amp. The capacitor-bank upgrade increases the amp's power reserves for bursts of peak current and should enhance dynamic performance. I found the stock transformer more than up to the task and honestly wouldn't worry about its rating. Such specs can be misleading -- is a car engine automatically better because it's a V8 rather than a V6? Same with audio specs. The proof is in the listening. A smart manufacturer will always use parts that are necessary for the intended job and build in a certain amount of headroom -- but no more. Otherwise you end up with one of those overbuilt affairs that will survive you and your grandchildren though you never come close to using most of its reserves.


July 24, 2001

I have read your recent reviews of the Axiom Millennia M3Ti bookshelf speakers and the Hsu Research VTF-2 powered subwoofer. I would like to know if you have any experience with Axiom subwoofers, and, if so, how they compare to the VTF-2.

Robert

We've asked Axiom to send us whatever subwoofer they feel would be the best match for the M3Ti and the forth-coming review pair of M22Tis. Until that subwoofer arrives, I can't claim personal experience.


July 23, 2001

I just purchased a Harman/Kardon 3370 CD player with HDCD decoding. After scanning through my approximately 500 CDs, I found I had all of one CD recorded in HDCD (Natalie Merchant Live at Carnegie Hall). I had always thought this CD had a somewhat congested sound and while I liked the music, the sound was not great. Well, then I played it in the H/K. WOW! Totally amazing. Everything came to life -- what dynamics, detail and soundstage.

Visiting Microsoft's HDCD website, I was heartened to learn that there were plenty of HDCD titles available and have purchased a few. While not everything is recorded as well as the Natalie Merchant CD, they all seem to whip regular CDs. With all this said, here's my question: Why is so little made of HDCD in the audio press? I looked around quite a bit and can't locate much mention of it other than in record reviews noting that the CD in question is HDCD encoded.

Yet I read an awful lot about SACD and DVD-A. I'm all for a new digital format that sounds better than traditional CD, but I'm no fan of multichannel sound. I don't want to have to buy more speakers, run more cables, etc. when   stereo is just fine the way it is. So what are your thoughts on the new formats? What about HDCD? I definitely plan on sticking with the H/K player until the new-format wars are resolved. Still, I'd like to hear what you feel is on the horizon.

Travis C.

I own quite a few CDs that the blue auto-detect LED on my CD player announces as HDCD encoded -- aside from this, there are no other references about HDCD to be found anywhere in their liner notes or sleeves though. I've wondered about this lack of overt credit for HDCD myself. The format is more and more used, but at the same time seems to nearly be de-emphasized in the press. It could simply be because it's here now (and has been for years) and works with standard CD players -- maybe the main players in support of the new formats have a vested interest in not educating consumers about this higher-resolution CD format? Also, with their XRCD remasters, JVC has shown that proper care in all phases of mastering and production can elicit phenomenal performance from standard 16/44 CDs.

My gut instinct about the new formats right now is that they will have to concentrate on movie surround sound to make any significant in-roads. Despite the hype about the next music format, the poor software support for both SACD and DVD-A thus far has me buying CDs as I always have. My taste in music is somewhat eclectic, so I doubt that what I like will appear on SACD or DVD-A anytime soon.


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