Education 
        Because of my position as publisher of the
        SoundStage! Network, I have a definitive advantage over most consumers, and even most
        reviewers. I get to meet with many of the industrys most talented and knowledgeable
        designers, most of whom give me all the time I need to pick their brains so that I can
        learn what I need to about the technical side of audio. I get an education not open to
        everyone, and I value it tremendously. 
        What I have learned has helped me to see more clearly the
        pitfalls that consumers encounter when shopping in retail stores, and even when reading
        the print and online audio/video magazines. In comparison to what the designers of audio
        and video gear have taught me, the level of knowledge evident on the sales floor and in
        the press is often sorely lacking. 
        Just the other day, I was in an audio/video store when a
        gentleman came in, explained to a salesman that his center-channel speaker was broken, and
        then asked, "Can I use any center-channel?" The salesman quickly replied
        "Yes!" But anyone with even a little knowledge of loudspeakers will know that he
        was wrong. Its actually quite difficult to find a center-channel that sonically
        matches a pair of main speakers. Most such mismatches sound terribly wrong; it usually
        takes a long time to find the center that best matches your front left and right speakers. 
        I dont know whether the salesman was corrupt or
        incompetent. More important, the customer himself wasnt sufficiently informed to
        know that the salesman had given him the wrong answer. He just did what too many do: He
        put 100% of his faith into what the salesman had to say, and made his purchase based on
        that. As a result, the customer was given a box containing some companys
        center-channel, paid who knows how much for it, and left the store with what was almost
        assuredly the wrong speaker for his needs. It happens all the time. 
        How can consumers become informed enough that theyre
        not taken advantage of by incompetent and/or unscrupulous salesmen? Its not easy,
        but I believe that this is an area where the press can help. But the key word here is can,
        because the press doesnt always do that job. 
        These days, you cant trust everything you read --
        perhaps you never could. Recently, I saw ten pages of one magazines editorial
        space given up to "advertorials" -- in this instance, cable companies writing
        about the supposed benefits of their own products. Does anyone actually believe that any
        such "information" can be trusted? Its nothing more than advertising
        masquerading as journalism. Luckily, advertorials are usually pretty easy to spot. But
        apparent information thats just plain wrong isnt so easy to detect -- and that
        can happen when the journalist writing it doesnt know enough about the subject. 
        For instance, while reading one popular high-end audio
        magazine, I came across a passage in which the writer happily acknowledged that he had
        little understanding of measurement data and how its derived, then went on to proclaim
        that measurements dont matter much anyway. For a writer to state that is to
        acknowledge in print his own incompetence and ignorance, and then boldly underline it to
        make sure everyone got the point. Nor was that the first time Id read such a
        statement. The mantra of "measurements dont matter" is repeated more and
        more often these days, and it not only misleads consumers, it indicates the audio
        presss own need of education. Writers who make such statements simply dont
        know what theyre talking about. 
        While measurements cant tell the whole story of how a
        product will perform in your home, they can certainly tell part of it. That's why it
        important for reviewers to understand what measurements mean, and to be able to explain
        them clearly enough that consumers can learn at least something about them. Its
        important, useful information, and thats why, at the SoundStage! Network, we do
        exhaustive measurements on preamplifiers, power amplifiers, and loudspeakers, and publish
        them on our SoundStage! A/V site. We dont do this just for fun -- its
        reference-quality data that informs our readers. But you do have to know how to use that
        information. 
        Thats where education comes in. In 2008, we at GoodSound!
        are making an even greater effort to write informative, educational articles that readers
        can learn from to help them make better buying decisions the next time they walk into a
        store. These articles, which will appear in our "How To" and
        "Features" sections, will mostly be about audios technical side, and
        usually will focus on understanding the many kinds of product measurements that we
        perform. These articles will be written in laymens terms so that anyone will be able
        to understand them. Theyll help readers make better buying decisions so that they no
        longer have to rely solely on what the salesman tells them. And theyll be
        informative enough that, when someone then reads a writer who says that measurements
        dont matter, that reader will know that that writer doesnt know what hes
        talking about. 
        We begin this month. Look for Thom Moons "How
        To" article on "How to Translate Speaker Sensitivity Ratings Into Real-World
        Requirements," and my own "Features" article on "Understanding
        Loudspeaker Sensitivity." And in the coming months, look for much, much more. 
        Remember, to make an informed purchase, you cant rely
        on salespeople -- or even audio writers -- to have the knowledge you require. These days,
        you have to educate yourself, and GoodSound! is here to help you do just that. 
        
Doug Schneider 
        E-mail comments to the editor@goodsound.com. 
         
        
        
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