Five Ambient Albums 
        Last month I discussed Mark
        Prendergasts book The Ambient Century: From Mahler to Moby -- the Evolution of
        Sound in the Electronic Age. Here is a sampling of five great ambient albums, to give
        you an introduction to the music itself. Because ambient refers more to the effect
        the music has on the listener than to any compositional or instrumental category, this
        short list crosses the usual genres lines. These discs would also make a good soundtrack
        for your perusal of The Ambient Century. 
        
          
             Satie: The Early Piano
            Works [Philips 462 161]; Reinbert de Leeuw, piano. In the first chapter of his
            book, Prendergast makes the case for Satie being one of the founders of ambient music.
            Satie sometimes referred to his music as "furniture music," indicating that it
            was meant to be part of the overall atmosphere of a space, much as furniture defines a
            room. The influence of his Gnossiennes can be heard in much later work, such as
            that of Brian Eno. | 
           
          
            |    Morton Feldman: Piano and String Quartet [Nonesuch 79320]; Aki
            Takahashi, piano; Kronos Quartet. While Feldmans Piano and String Quartet is
            mesmerizing, at a little over 70 minutes it only hints at what can be found in some of his
            longer works. New listeners might start banging their heads waiting for something to
            happen, but sustained listening reveals patterns that cant be detected if the work
            is not heard in its entirety.
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            |    Boards of Canada: The Campfire Headphase [Warp
            CD123]. This disc, only a few months old as I write, is a good example of contemporary
            ambient music. There are instruments, most noticeably guitars, to go along with the
            electronic soundscape. At low volumes, it can be very calming; played loud, it might have
            the opposite effect. The Campfire Headphase is a more adventurous choice than the
            other releases listed here, but its otherworldly charm might enthrall you.
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            |    Brian Eno: Ambient
            1: Music for Airports [Astralwerks 66495]. Intended as background music -- for,
            you guessed it, airports -- this music was actually installed at New Yorks LaGuardia
            Airport in the late 1970s. Despite being intended as background music, Ambient 1
            can be engaging, and evoke calm and open spaces. Many people consider this the most
            important ambient album, not only for its artistic success but for its lasting influence.
            Astralwerks has done a great job in its recent reissues, remastering with great care both
            the Ambient series and Enos other early works.
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            |    Miles Davis: In
            a Silent Way [Columbia/Legacy 86556]. Miles Davis made so many great albums that In
            a Silent Way is sometimes overlooked. Recorded in the late 1960s, it never stops
            sounding contemporary -- it could just as easily have been recorded this year. The
            original release comprises tracks spliced together from different takes, but the three-CD
            boxed set The Complete In a Silent Way Sessions [Columbia/Legacy C3K 65362] reveals
            everything in its original form as well as in the final edited versions. In a Silent
            Way was one of the first Davis albums to feature electric piano and bass, and
            demonstrated that, as Miles himself might put it, what you dont play can be
            as important as what you do.
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        ...Eric D. Hetherington 
         
        
        
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