GoodSound! "Music" ArchivesPublished December 1, 2002  | 
       
      
         
        
          
             
            Paul Giovanni: The Wicker
            Man (Original Score) 
            Silva America SSD 1141
            
              
                | Musical Performance | 
                      | 
               
              
                | Recording Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Though low budget, The Wicker
            Man is generally considered one of the greatest horror films of all-time. It had a
            checkered history and never reached the screen in a version sanctioned by its creators,
            having been cut and chopped to length by insensitive hands. Its music was thought lost,
            but Silva has turned-up most of the original master tapes and they are excellent in
            quality. Much of the score consists of bawdy, folk-like songs concerned with the sexual
            rites of spring. These are particularly well preserved. The elaborate booklet contains
            many photos, poster reproductions, and a complete history of this cult-favorite movie and
            its music. A restored version of the film can be found on Anchor Bay DVD. 
  | 
           
          
             
            Weinacht der Romantik
            (Romantic Christmas Songs) 
            RIAS-Kammerchor; Uwe Gronostay, conductor.  
            Harmonia Mundi 901794
            
              
                | Musical Performance | 
                      | 
               
              
                | Recording Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             The 30-year revival of Baroque
            holiday music has finally planed to the point that this CD of 19th-century holiday music
            by Mendelssohn, Reger, and others seems quite original and refreshing. The 35-voice
            unaccompanied chorus sings with good tone, impeccable pitch, and clear diction. The chorus
            was recorded at Jesus-Christus-Kirche in Berlin, which apparently has a warm, resonant
            acoustic. The engineers have captured its sonic characteristics without sacrificing any
            detail. 
  | 
           
          
             
            Coldplay: A Rush of Blood
            to the Head 
            Capitol 40504
            
              
                | Musical Performance | 
                      | 
               
              
                | Recording Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Its tough
            finding good pop music that is both deeply moving and musically interesting. But good
            fortune found me when I picked up Coldplays second studio effort. Soul is what A
            Rush of Blood to the Head is all about -- plus exquisitely arranged guitar and piano,
            wrapped in a stark but shimmering recording. Vocalist Chris Martin sings as if the future
            of human happiness has come to rest on his shoulders. Sparkling choruses and breathtaking
            melodies support his falsettos grip on the listener, whether it is the simple
            buildup from a lone, desperate piano in "The Scientist" or the rock-driven,
            punk-peppered catharsis of "Politik." Some say that good music comes through the
            wisdom of having experienced life. If thats the case, then this 20-something band
            has just scratched the surface of its talent. 
  | 
           
          
             
            Peter Gabriel: Long Walk
            Home: Music from the Rabbit-Proof Fence (Original Score) 
            Real World 12238
            
              
                | Musical Performance | 
                      | 
               
              
                | Recording Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             I have yet to see the
            film Rabbit-Proof Fence. But listening to Peter Gabriels score Long Walk
            Home only adds to my anticipation of this independent Australian film. This is a very
            dramatic piece of work in the same vein as Gabriels contributions to Martin
            Scorseses The Last Temptation of Christ and Alan Parkers Birdy.
            As on those previous soundtracks, Gabriel weaves the sounds of world culture into a very
            dense sonic tapestry. This time Aboriginal influences serve a story about three girls who
            make their way back home after being captured for slavery. If you enjoyed Gabriels Passion
            and Security albums then Long Walk Home should play right up your alley. The
            recording is a bit muddy at times, but the emotional impact it delivers in tracks like
            "Gracies Recapture" and "Running in the Rain" transcends any
            apparent lack of fidelity. 
  | 
           
          
             
            Howard Shore: Panic Room
            (Original Score) 
            Varese Sarabande 066346
            
              
                | Musical Performance | 
                      | 
               
              
                | Recording Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Fresh off his Oscar-winning effort for The Lord of the Rings, the
            talented Howard Shore revisits the unsettling sounds of Seven and The Silence of
            the Lambs. Panic Room isnt a groundbreaking effort by Shore standards (in
            fact, much of it will sound familiar) but it does express why I enjoy his music. Shore has
            a gift for building unbearable suspense. His use of massed strings and layered brass on
            tracks like "Fourth Floor Hallway" and "A Very Emotional Property"
            does enough to heighten tension alone, but Shore adds unearthly metallic and re-recorded
            sounds that push a listeners anxiety level over the edge. More desperate cuts like
            "Castle Keep" use oboes and cellos to build an ever-increasing sense of dread,
            hopelessness, and foreboding. With the exception of a rather brief running time, this is a
            well-recorded CD and a must for fans of this innovative and always affective
            composer. | 
           
         
         
        
         | 
       
      
         All Contents
        Copyright © 2002 
        Schneider Publishing Inc., All Rights Reserved. 
        Any reproduction of content on  
        this site without permission is strictly forbidden.
  | 
       
     
     |