GoodSound! "Music" Archives Published December 1, 2002 |
Paul Giovanni: The Wicker
Man (Original Score)
Silva America SSD 1141
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Though low budget, The Wicker
Man is generally considered one of the greatest horror films of all-time. It had a
checkered history and never reached the screen in a version sanctioned by its creators,
having been cut and chopped to length by insensitive hands. Its music was thought lost,
but Silva has turned-up most of the original master tapes and they are excellent in
quality. Much of the score consists of bawdy, folk-like songs concerned with the sexual
rites of spring. These are particularly well preserved. The elaborate booklet contains
many photos, poster reproductions, and a complete history of this cult-favorite movie and
its music. A restored version of the film can be found on Anchor Bay DVD. |
Weinacht der Romantik
(Romantic Christmas Songs)
RIAS-Kammerchor; Uwe Gronostay, conductor.
Harmonia Mundi 901794
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The 30-year revival of Baroque
holiday music has finally planed to the point that this CD of 19th-century holiday music
by Mendelssohn, Reger, and others seems quite original and refreshing. The 35-voice
unaccompanied chorus sings with good tone, impeccable pitch, and clear diction. The chorus
was recorded at Jesus-Christus-Kirche in Berlin, which apparently has a warm, resonant
acoustic. The engineers have captured its sonic characteristics without sacrificing any
detail. |
Coldplay: A Rush of Blood
to the Head
Capitol 40504
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Its tough
finding good pop music that is both deeply moving and musically interesting. But good
fortune found me when I picked up Coldplays second studio effort. Soul is what A
Rush of Blood to the Head is all about -- plus exquisitely arranged guitar and piano,
wrapped in a stark but shimmering recording. Vocalist Chris Martin sings as if the future
of human happiness has come to rest on his shoulders. Sparkling choruses and breathtaking
melodies support his falsettos grip on the listener, whether it is the simple
buildup from a lone, desperate piano in "The Scientist" or the rock-driven,
punk-peppered catharsis of "Politik." Some say that good music comes through the
wisdom of having experienced life. If thats the case, then this 20-something band
has just scratched the surface of its talent. |
Peter Gabriel: Long Walk
Home: Music from the Rabbit-Proof Fence (Original Score)
Real World 12238
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I have yet to see the
film Rabbit-Proof Fence. But listening to Peter Gabriels score Long Walk
Home only adds to my anticipation of this independent Australian film. This is a very
dramatic piece of work in the same vein as Gabriels contributions to Martin
Scorseses The Last Temptation of Christ and Alan Parkers Birdy.
As on those previous soundtracks, Gabriel weaves the sounds of world culture into a very
dense sonic tapestry. This time Aboriginal influences serve a story about three girls who
make their way back home after being captured for slavery. If you enjoyed Gabriels Passion
and Security albums then Long Walk Home should play right up your alley. The
recording is a bit muddy at times, but the emotional impact it delivers in tracks like
"Gracies Recapture" and "Running in the Rain" transcends any
apparent lack of fidelity. |
Howard Shore: Panic Room
(Original Score)
Varese Sarabande 066346
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Fresh off his Oscar-winning effort for The Lord of the Rings, the
talented Howard Shore revisits the unsettling sounds of Seven and The Silence of
the Lambs. Panic Room isnt a groundbreaking effort by Shore standards (in
fact, much of it will sound familiar) but it does express why I enjoy his music. Shore has
a gift for building unbearable suspense. His use of massed strings and layered brass on
tracks like "Fourth Floor Hallway" and "A Very Emotional Property"
does enough to heighten tension alone, but Shore adds unearthly metallic and re-recorded
sounds that push a listeners anxiety level over the edge. More desperate cuts like
"Castle Keep" use oboes and cellos to build an ever-increasing sense of dread,
hopelessness, and foreboding. With the exception of a rather brief running time, this is a
well-recorded CD and a must for fans of this innovative and always affective
composer. |
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