GoodSound! "Music" ArchivesPublished December 1, 2004  | 
       
      
         
        
          
             
            Various Artists: Portrait
            of Bill Evans 
            Victor VICJ-81171 
            Format: CD
            
              
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             It was with no little trepidation that I tore the
            cellophane off Portrait of Bill Evans, one of JVCs latest XRCD24 releases,
            and loaded the disc in my CD player. How does one create a tribute album to a jazz
            pianist, especially one of Evanss colossal stature? But here, pianists Eliane Elias,
            Dave Grusin, Herbie Hancock, Bob James, and Brad Mehldau attempt to invoke Evanss
            spirit -- his quiet lyricism -- and, for the most part, succeed. Hancocks original
            "Gotta Rhythm" falls far short of the mark, but Mehldaus two numbers,
            along with Eliass "Come Rain or Come Shine," make up for it and then some.
            The sound is big, abundant with energy and inner detail. There is more leading-edge bite
            than with most JVC XRCDs, which always sound warm and robust. I would love to have seen
            pianist Jessica Williams included here; shes a natural for a Bill Evans project. But
            this CD surprised me -- Ive been listening to it over and over
.Marc
            Mickelson | 
           
          
             
            Anonymous 4: Wolcum Yule 
            Harmonia Mundi 807325 
            Format: Hybrid Multichannel SACD
            
              
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             The recently disbanded Anonymous
            4 was a quartet of women who sang mostly medieval songs and motets. On this holiday
            release, first released on CD in 2003, they came a bit forward in time to sing some
            traditional English, Irish, and Scottish carols and dances, and into the present for
            Christmas anthems by Benjamin Britten, Peter Maxwell Davies, Richard Rodney Bennett, and
            Geoffrey Burgon. The four voices weave a most appealing musical tapestry, and Alexander
            Lawrence-King provides imaginative and colorful accompaniment on a variety of harps. Their
            performances together are impeccable. The sound is broad and reverberant, thanks to the
            rear channels, but is not lacking in necessary detail. The joyous yet delicate interplay
            of voices and harp on such tracks as "I Saw Three Ships" and "Can Wassel
            (Wassail Song)" bear full witness to that. The booklet contains full texts and
            better-than-usual notes
.Rad Bennett
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            Holst: The Planets 
            St. Louis Symphony Orchestra; Walter Susskind,
            conductor. 
            Mobile Fidelity UDSACD-4005 
            Format: Hybrid Multichannel SACD
            
              
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             There is no lack of
            good recordings of this popular work on SACD and DVD-Audio, but this one is exceptionally
            lyrical and well recorded. Conductor Susskind doesnt neglect the angry rhythms of Mars
            or the impish rhythmic patterns of Uranus, but his forte is in bringing out the
            singing line. Mars has seldom sounded so melodic, or the middle section of Jupiter
            so nobly lyrical. The St. Louis Symphony Orchestra plays like a world-class ensemble,
            producing moments of revelation. Surely, the opening strings in Jupiter have seldom
            been so well articulated. The engineers for the original quad vinyl release were Johanna
            Nickrenz and Marc J. Aubort, and their beautiful work has been lovingly transferred to
            this 4.0-channel SACD. Listen to the clarity of the opening of Mars -- both the
            rhythmic strings and the struck gong are singularly clean and clear. In the final
            movement, Neptune, Holst calls for an offstage womens chorus; the engineers
            have placed it in the surrounds for an eerie and mystical effect. This placement also
            allows the tinkly harp and celeste figuration in the front channels to be heard without
            straining. Neptune alone makes this Planets worth buying
.Rad
            Bennett
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            The Yellowjackets: Peace
            Round: A Christmas Celebration 
            Heads Up 3090 
            Format: CD
            
              
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             Christmas music is one genre I typically cant
            stomach for long -- I can take only so many new interpretations of "Silent
            Night" or "The Little Drummer Boy." Still, I figured the
            Yellowjackets knack for invention would offer a twist on these old chestnuts. My
            hopes were only partially fulfilled. Although Peace Round: A Christmas Celebration
            is pleasant, there was no point in this ten-song set at which I experienced something
            special. Thats not to say that the music isnt well performed or produced -- it
            just isnt as engaging as Id hoped. The Yellowjackets musicianship and
            the CDs mood and excellent production values do elevate this clichéd group of songs
            from the mundane into the realm of tasty time filler. But Peace Round will not get
            your foot tapping, as do most of this jazz groups original efforts. These Christmas
            jingles are best enjoyed as background music against the crackle and warmth of a
            fire
.Anthony Di Marco
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            Hiroshima: Spirit of the
            Season 
            Heads Up 3089 
            Format: CD
            
              
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             Eclectic instruments and a gentle hand make this
            Christmas effort from the Japanese jazz-rock group Hiroshima a very enjoyable and relaxing
            experience. Much of the credit goes to the discs wistful aural atmosphere, supported
            by a trio of traditional Far East instruments and Western guitar. Who knew life could
            still be wrung from songs as tired as "Rudolph the Red-Nosed Reindeer" or
            "Have Yourself a Merry Little Christmas"? Soulful vocals also contribute to a
            freshness that serves to invigorate this Yuletide effort. Even "The Little Drummer
            Boy" gets a whack of life, via weighty Japanese taiko drums. The sound is excellent,
            with just a tad of excessive brightness on some cuts. Drum strokes and bass guitar are
            deep and tight, and often penetrated the floorboards of my living room. I was ready to be
            disappointed by yet another half-baked Christmas album. Instead, I found that this surreal
            experience placed me in a very peaceful state of mind -- and being at peace is what the
            spirit of this season is all about
.Anthony Di Marco | 
           
         
         
        
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