GoodSound! "Music" ArchivesPublished August 1, 2007  | 
       
      
         
        
          
             
            Deborah Cox: Destination Moon 
            Decca 000833202 
            Format: CD 
            
              
                | Musical Performance | 
                      | 
               
              
                | Sound Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Dinah Washington was a forceful yet commercial jazz singer, and
            Deborah Coxs tribute album to her exudes those qualities. Destination Moon is
            beautifully recorded and performed, yet completely accessible and engaging for even the
            most indifferent listener. The album was recorded in a manner rare these days: live with a
            studio orchestra. The result places the listener in the midst of it all, the sound of the
            drums and bass reverberating, the solo saxophone sounding as clear as if in a concert
            hall. The live recording also gives the album a feeling of immediacy, passion, and
            excitement. The balance of Coxs vocals with the instrumental accompaniments is
            nearly flawless, especially in "This Bitter Earth," in which sweeping strings
            and piano glissandos enhance the melancholy tune and contribute to the poignancy of
            Coxs voice. Neither overwhelms the other, each telling its story with aplomb.
Katherine
            Silkaitis | 
           
          
             
            Jay Boy Adams: The Shoe Box 
            Rockin Heart RHR7057 
            Format: CD 
            
              
                | Musical Performance | 
                      | 
               
              
                | Sound Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Jay Boy Adams is back on disc after a 25-year absence. This album
            is chock-a-block with alternate country/folk rock songs that will stick in your head like
            stupid commercial jingles -- except that these are songs youll want to keep
            there. Adams takes you for a melancholy stroll down memory lane via the title cut, then
            tells you about life for minorities in "From Mississippi to Abilene." He reminds
            you of what "Life in a Small Town" is all about, then sings you the
            workingmans anthem "Waitin for Five OClock." Soundwise, The
            Shoe Box is typical of most modern pop recordings: Theres compression, little
            soundstage depth (the width is OK), and a definite lack of space. Offsetting these faults
            are good tonality, fine instrumental separation, and 3-D vocals. While this wont be
            a CD to show off your audio system with, youll play it often simply to revel in the
            music. Welcome back, Jay Boy. Weve missed you.
John Crossett | 
           
          
             
            Born in the Honey: The Pinetop Perkins Story 
            Vizztone SB-101 
            Format: DVD/CD 
            
              
                | Musical Performance | 
                      | 
               
              
                | Sound Quality | 
                      | 
               
              
                | Picture Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Pinetop Perkins is, was, and always will be one of the greatest
            blues piano players of all time. The CD and DVD of Born in the Honey: The Pinetop
            Perkins Story comprise an intimate portrait of this venerable living legend. At 93,
            Perkins is still writing, touring, joking, and smoking, all of which appear to keep him in
            good spirits and health. Interviews with friends and fellow musicians serve to roast and
            toast, but also give behind-the-scenes glimpses of a genuinely beloved and respected man.
            Koko Taylor, Ike Turner, Bobby Rush, and others recount times spent playing with and
            learning from Perkins, and the interviews are all candid and insightful. While
            Perkins story is undeniably fascinating, the DVD in this set has some serious
            problems. The sound quality is very poor, especially when Perkins appears live on stage --
            the one thing youd want captured most clearly. At other times throughout the
            60-minute DVD, the sound quality ranges from the acceptable to the frustratingly
            unbearable. Luckily, the bonus CD, recorded live in Chicago circa 2003, has much better
            sound, and gives a better taste of the true Pinetop Perkins experience.
Shannon
            Holliday  | 
           
          
             
            Erasure: Light at the End of the World 
            Mute 285 
            Format: CD 
            
              
                | Musical Performance | 
                      | 
               
              
                | Sound Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             A few bands are so consistently enjoyable that I look forward to
            every album they release. As with previous Erasure efforts, it took me some time to get in
            the groove of Light at the End of the World -- but once my ears were locked in, I
            couldnt resist this sparkling gem. Ive always likened Erasures music to
            a more sophisticated form of circus or carnival music. Songs like "I Could Fall in
            Love with You" fit this description perfectly. With its meaty keyboard melodies,
            soaring vocals, and sing-along chorus, you can almost picture Vince Clarke frenetically
            jabbing at a circus calliope as Andy Bell moves back and forth within a ring. But
            thats the beauty of Erasure. While the equally successful Pet Shop Boys are arguably
            more diverse, Erasures music lets the child in each of us surface even as their
            lyrics speak to the complexities of our adult lives. "When a Lover Leaves You"
            is a standout song with a beautifully crafted melody and chorus that get under the skin
            and prompt the listener to sing along. The sound quality is excellent, with very little
            dynamic compression and an immersive soundstage delivering a soundscape thats open,
            shimmering, and effortless. Through and through, this is top-notch, timeless pop.
Anthony
            Di Marco | 
           
          
             
            Various Artists: Freeway Jam: To Beck and Back 
            Tone Center TC 4057 2 
            Format: CD 
            
              
                | Musical Performance | 
                      | 
               
              
                | Sound Quality | 
                      | 
               
              
                | Overall Enjoyment | 
                      | 
               
             
             Although tribute compilations only rarely live up to the original
            performances of the artist they attempt to honor, they more often succeed in revealing an
            impressive depth of style and virtuosity inherent in that artists legacy. Such is
            the case with this tribute to guitar great Jeff Beck. Produced and arranged by guitarist
            Jeff Richman, Freeway Jam: To Beck and Back gathers an impressive mix of modern
            guitarists and lets them let their axes do the talking on ten of Becks 1970s
            fusion-era originals. Richman himself plays rhythm guitar throughout, and lead on the
            smoking "El Becko." Steve Morse opens the disc with "Freeway Jam,"
            classic Beck reworked with style and taste. "Led Boots" is a wicked jam with
            lots of beefy underbelly and crisp overtones, courtesy lead guitarist Adam Rogers, and a
            ripping, machine-gun drum solo provided by ex-Zappa drummer Vinnie Colaiuta. While the
            lead guitarists featured here truly honor Beck by not overplaying, some new chord changes
            and alternative arrangements spice things up and make for interesting twists on the
            originals.
Shannon Holliday | 
           
         
         
        
         | 
       
      
         All Contents
        Copyright © 2007 
        Schneider Publishing Inc., All Rights Reserved. 
        Any reproduction of content on  
        this site without permission is strictly forbidden.
  | 
       
     
     |