GoodSound! "Music" ArchivesPublished September 1, 2007  | 
       
      
         
        
          
             
            Paul McCartney: Memory Almost Full 
            Hear Music HMCD-30348 
            Format: CD 
            
              
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             When, in 2005, Paul McCartney
            asked Nigel Godrich (Radiohead, Beck) to produce Chaos and Creation in the Backyard,
            the result was McCartneys best disc in years, and perhaps one of his best ever. The
            consensus among critics was that Godrich had helped McCartney keep in check his worst
            impulses -- his sentimentality and tendency to cuteness -- and the singer said nothing to
            the press to dispel that assumption. Memory Almost Full was produced by David
            Kahne, who had worked with McCartney on 2001s Driving Rain. McCartney is
            unquestionably sentimental this time around, but hes sincere and doesnt let
            his emotions get too out of hand. He returns to his familiar themes, especially the
            wonders of romantic love, but he also sings about mortality and memory. The five-song
            medley that closes the disc amounts to a musical summing-up, with McCartney evoking his
            own work with the Beatles as well as some of the music that has inspired him, including
            the Beach Boys ("Feet in the Clouds"). McCartney plays all the instruments on
            half the tracks; his touring band joins him on the rest. The sound is occasionally too
            digitally pristine, but Paul McCartneys heart shines through.
Joseph Taylor
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            Jimmy Cobb: Cobbs Corner 
            Chesky SACD327 
            Format: Hybrid Multichannel SACD 
            
              
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             Drummer Jimmy Cobb is our last living link to the greatest jazz album ever
            recorded: Miles Davis Kind of Blue. In that session, and in all his sessions
            since, this smooth-as-silk drummer has provided perfect performances. On this hybrid
            multichannel SACD Cobb teams up with trumpeter Roy Hargrove, pianist Ronnie Mathews, and
            bassist Peter Washington. They distill the classic jazz-quartet format to perfection,
            creating a memorable modern-jazz album that makes excellent use of the Great American
            Songbook for its content. The result is musically accessible and intellectually
            stimulating. The essence of each instrument is captured in clear, crisp, precise,
            full-bodied sound. Cheskys single-mike recording process is ideal for this size
            group, providing an appropriate sense of space. Whether you listen in two or 4.0 channels,
            youll be richly rewarded with superb sound and wonderful music.
John
            Crossett | 
           
          
             
            Michael Brecker: Pilgrimage 
            Heads Up HUSA 9095 
            Format: CD 
            
              
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             Another player has taken his place in the sax section of the
            celestial jazz band. But the late Michael Brecker, who died of leukemia in January at the
            age of 57, left us a final parting gift -- this album, made with the support of Pat
            Metheny, Herbie Hancock, Brad Mehldau, John Patitucci, and Jack DeJohnette. Pilgrimage
            was recorded in the final weeks of Breckers life, when he was in constant physical
            pain, but it relays nothing of that torment, focusing instead on Breckers view of
            the trail he was about to travel, as seen through the eyes of an optimist. Pilgrimage
            is full of interesting, stimulating, and freshly thought-out modern jazz. The sound
            matches the music, both the two-channel and, particularly, the multichannel tracks. They
            offer full-bodied, tonally correct, detailed, and dynamically free sound. Pilgrimage
            is a fitting epitaph for one of the most underrated but superbly talented jazz
            saxophonists our generation has produced. Goodbye, Michael -- and thanks.
John
            Crossett | 
           
          
             
            Charlie Daniels Band: Live from Iraq 
            Blue Hat KOC-CD-4240 
            Format: CD/DVD-Video 
            
              
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             Intent on showing his support for US troops by boosting their
            morale, country legend Charlie Daniels and his band have toured US military bases in Iraq
            and Afghanistan three times in the last four years, and Live from Iraq is a 14-song
            collection of performances from his Stars for Stripes Tour. Daniels love of god and
            country and his views of the current war are on full display throughout the disc, as well
            as in the interviews on the 30-minute bonus DVD. The Charlie Daniels Band is as tight as
            ever, with rocking fiddle, rowdy electric guitars, juke-joint piano playing, and a drummer
            who plays double-time all the time. Daniels is still one of the greatest
            storytellers in the industry, as evidenced by such tracks as "The Legend of Wooley
            Swamp" and "Uneasy Rider." Whipping the crowd into a frenzy and closing at
            a furious pace, the band exits with Daniels most popular track, "The Devil Went
            Down to Georgia." Both discs provide focused front-row sound. The accompanying DVD
            gives an inside look at troop and base life in Iraq, and makes clear that the military
            supports Daniels as much as he supports them.
Shannon Holliday | 
           
          
             
            Sarah Borges and the Broken Singles: Diamonds in
            the Dark 
            Sugar Hill SUG-CD-4028 
            Format: CD 
            
              
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             Sarah Borges writes songs with solid, structured verses and
            distinctive, often catchy refrains or bridges. Her new CD includes 12 tunes by herself,
            Tom Waits, and others, in performances by Borges with members of her band, the Broken
            Singles. The recording, producing, engineering, and mastering deliver these songs with
            clarity and immediacy. Borges engages the listener constantly with her compelling lead
            vocals. Mike Castellanas pedal steel nudges the bands sound -- which is mainly
            small-band, electric-guitar-based rock -- toward Nashville. But this music isnt
            Nashville-smooth; it has a bit of a rough edge. I expect it will interest a
            singer-songwriter audience more than a pop audience. The tempos, rhythms, and chord
            progressions, and the takes on love and longing, are nicely varied, but I wanted subject
            matter beyond the personal, to more fully engage the mind.
David Cantor | 
           
         
         
        
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