Dualtone 80302-01793-25
Format: CD
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“If you tried to give rock and roll another name,” John Lennon once said, “you might call it ‘Chuck Berry’.” It’s hard to think of another figure in American popular music whose influence has been so pervasive. The Beatles, the Kinks, and countless other bands covered his songs, and the Rolling Stones probably wouldn’t exist without him. If you’re a rock’n’roll guitarist and you can’t play a Chuck Berry riff, you should put the instrument under your bed.
“The Timex Shows Vol. 1: The Frank Sinatra Timex Show and An Afternoon with Frank Sinatra”
Eagle Vision EV412787
Format: DVD
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Read more: Frank Sinatra: "The Frank Sinatra Collection -- The Timex Shows Vols. 1 and 2"
ECM 2525
Format: CD
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Although Bill Frisell has appeared as a sideman on recent ECM recordings, such as the Andrew Cyrille Quartet’s The Declaration of Musical Independence (2016), he hasn’t led a session for the label since Lookout for Hope (1988). Small Town is co-credited to him and to double bassist Thomas Morgan, but Frisell gets top billing -- for him, it’s effectively a return to ECM.
Eagle ER416592
Format: CD
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Procol Harum has been around intermittently since 1967 -- they broke up in 1977, and reformed in 1991. For their first decade, the band released a new LP every year or two, but since getting back together they’ve taken much longer between releases. Novum is Procol Harum’s third studio album since 1991, following a gap of 14 years since the last one, The Well’s on Fire. Gary Brooker is the only original member left.
Sony Legacy 88875102362
Format: CD
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It’s hard to think of a songwriter from the great British bands of the 1960s who is more British in his themes and music than Ray Davies. Two of his masterpieces with the Kinks, The Kinks Are the Village Green Preservation Society (1968) and Arthur (Or the Decline and Fall of the British Empire) (1969), look at various aspects of English life and the ways they changed in the 20th century as the Empire declined.
SuperEgo SE041
Format: CD
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Aimee Mann has been making challenging music for more than 30 years -- first with ’Til Tuesday, a band that refused to be boxed in, and then, beginning in 1993, in her solo recordings. Her songs are notable for their smart, observant lyrics and strong melodies, so it’s a little surprising that she’s still more a critic’s darling than a big seller. Since 2000, Mann has released all of her albums on her own label, SuperEgo Records, a fact that probably lets her follow her music wherever it leads her.
Columbia 88985 41350 1
Format: 3 LPs
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In 1965, a reporter at a news conference asked Bob Dylan if he thought of himself as primarily a singer or a poet. “Oh, I think of myself more as a song-and-dance man,” Dylan responded. While his answer was typically Dylanesque -- slyly humorous, a little mysterious -- the most recent Nobel Laureate in literature has spent the last three years moving closer to that description of himself.
Transmit Sound/Thirty Tigers TS-2016-2
Format: CD
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“I’ve always wanted to do a recording that focused more on the blues,” Son Volt’s Jay Farrar told Relix about his band’s new album, Notes of Blue. Farrar names other inspirations for the album, including Nick Drake and Jackson C. Frank, but his own songwriting voice is so strong, and he’s so thoroughly absorbed and digested his influences, that Notes of Blue stands on its own. Son Volt’s last album, Honky Tonk (2013), was built around acoustic guitars and real country music. This time around, Farrar mixes things up while remaining true to his roots in blues, country, and rock’n’roll.
Carpark CAK115
Format: CD
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Cloud Nothings is a young, guitar-based indie-rock band -- a category that includes Japandroids, Beach Slang, and Titus Andronicus, among others. Dylan Baldi, the band’s leader and lead singer, while studying at Case Western Reserve in Cleveland, Ohio, on weekends began recording his songs in his parents’ basement in nearby Westlake. He played all the instruments on Turning On, the Cloud Nothings’ debut, a tuneful, lo-fi album in the manner of fellow Ohioans Guided by Voices.
Deutsche Grammophon 002618702
Format: 16-bit/44.1kHz FLAC Tidal stream
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German-born British composer Max Richter has built his reputation on creating introspective, often melancholy music whose alluring, repetitive themes lodge themselves deep in the subconscious. The danger of such success is that it tends to encourage repetition, but fortunately, Richter’s has not bred complacency. The last five years have seen him “recompose” Vivaldi’s The Four Seasons, as well as compose Sleep, which he describes as an “eight-hour-long lullaby” and which broke several BBC broadcasting records; and now comes his music for British choreographer Wayne McGregor’s triptych of ballets based on novels by Virginia Woolf (1882-1941), released as Three Worlds: Music from Woolf Works and performed by various soloists, with Robert Ziegler conducting the German Film Orchestra of Babelsberg.
Read more: Max Richter: "Three Worlds: Music from Woolf Works"